Spring 2026 edition of the making of art, its exhibition, and what we say about it
In-depth discussions and interviews with featured artists.
Interview by Emese Krunák-Hajagos
On the occasion of the 10th anniversary of Toronto’s Robert Kananaj Gallery Emese Krunák-Hajagos (EKH) interviews Robert Kananaj (RK) and Roberta Laking Kananaj (RLK).
Continue reading “Robert Kananaj Gallery is 10”Making Print Editions of dArt Magazine into the Subject of a Single Work of Art
by Steve Rockwell
I don’t have an exact date for the genesis of the playing card theme that is featured in this 2021 edition of dArt magazine. It’s possible that the subject as an expressive idea has been simmering in the magma of my unconscious from the very start of my art making. With the crust of culture now universally in its brittle phase, the card idea seems to have bubbled up through the fissures.
Continue reading “Assembling a House of Cards from Shards of Art”by Steve Rockwell
Mortality: A Survey of Contemporary Death Art was to have opened spring 2020 in Washington, D.C. The intended exhibition venue was Katzen Art Center’s American University Museum. Its cancellation is a familiar, shopworn story over a grim span of time when it comes to public events of any kind. To say that it was a disappointment doesn’t quite cover it. When considering the energies, hopes, and labors expended by so many people over a considerable time, something vital within the its participants was cut off. In its reaping, the fruition of it produced an unfortunate synchronicity with Mortality, the exhibition theme.
Continue reading “Mortality: A Survey of Contemporary Death Art”by Peter Frank
Can we see past what we see? Can we see more than we see? Can we see in a way that not only reveals what we haven’t been seeing, but has us see a whole different reality? These are the questions that abstract art, after more than a century, still poses us. Art that does not replicate or even approximate the seen world is no longer a challenge to aesthetic conventions; it is by now universally regarded as an invitation to comprehension of a different kind, a comprehension at once more personal and more universal than is possible with representational art. Abstraction moves its makers and its viewers alike, in unique ways.
Van Der Plas Gallery, New York City – April 9 – 29, 2021
by Christopher Hart Chambers
Scot Borofsky was born in 1957, raised and still lives in Vermont. Since the mid 1970s he has traveled extensively throughout the Americas, and the influence is salient in his artwork. Borofsky attended the Rhode Island school of Design. Like several other street artists, when he moved to New York City after graduating, he found his art school learning dry and lifeless in comparison to the visual stimulation blooming on the urban streets – that was not yet even considered art from whence he hailed.
Continue reading “Scot Borofsky: The Language of Street Art”