by Jennifer Leskiw

If you have never been to the Royal Canadian Military Institute on University Avenue in Toronto, you must visit and take in the phenomenal exhibition by Canada’s foremost contemporary war artist, Gertrude Kearns.
This exhibition, straight from showing at the Embassy of Canada in Washington DC, is a selection from two decades of work 2006-2025. Drawings, paintings, text/image prints as ‘propaganda-play posters’ capture the humanity and courage behind Canadian Armed Forces individuals who have commanded and form the military.

Kearns’ interest in conflict work began thirty years ago. Since then, she has worked diligently, both officially and as an independent artist. What began as a curiosity about Canadian defence progressed into years of research into Canadian Armed Forces missions. As a result, valuable contacts and relationships were steadily built on trust and respect with each sitter. Her artistic skill captures the essence of these dedicated individuals. We see pride, honour, strength and sometimes weakness, even the anti-hero in these faces. How much decision-making, questions about morality, emotional conflict and physical hardship, PTSD, have these soldiers experienced? Who are these individuals that have given of themselves so selflessly? What have they seen and lived through? What is their message? Is there one?

The Gulf War of 1990-91 initially stirred Kearns’ interest in conflict work. From there she began to examine the Yugoslav Wars of 1991-99, considering the pressures on society and ethnic cleansing. The inability of UN peacekeepers to prevent the Rwandan Genocide in 1994 and the impact of that failure created a series of haunting work featuring Canada’s General, Romeo Dallaire in 2001-2.
As a war/military artist, this journey led to Kearns’ admission to a training exercise at Petawawa, Ontario in 2004. Later on she was given the opportunity of real-life experiences, embedded in Afghanistan in 2006. It was during this time, about to travel in an armoured vehicle preparing to leave Kandahar City, a suicide bomber struck the convoy ahead. Among the ten wounded were three Canadian soldiers. A diplomat and two other civilians were killed. After the wounded soldiers were brought back to base, Kearns helped clean the infirmary. Needless to say, this experience affected Kearns profoundly.

She has worked steadily and tirelessly producing work, giving us a glimpse into a world that many of us will never see or experience. Lucky are we that are safe and sound. Concluding with more recent counter-terrorism, sovereignty and global security works, Kearns poignantly reminds us that war is never really that far away.

The Royal Canadian Military Institute is not open to the public, but Sunday afternoon tours of the exhibition led by Kearns herself, RCMI Honorary War Artist, begin on May 24 between 2:30-3:30 pm. Sunday tours continue May 31, in June on the 14th, 21st, and 28th; July 5th, 12th, 19th, and 26th. There is a tour on Sunday, August 2, 2026, the last day of the show. Address: 426 University Avenue, just south of Dundas, and the TTC St Patrick subway station.
Confirm tour availability: RCMI (416) 597-0286, or contact Gertrude Kearns directly at contact@gertrudekearnsartist.com
