The Frist Art Museum in Nashville does two things remarkably well. Like other capitol city museums throughout the United States, they present fully resolved, educational exhibitions filled with extraordinary works of art supported by thoughtful text and labeling.
Continue reading “Seeing, Believing and Understanding”
Puns abound in Carl Fudge’s work. An initial loom is formed of Japanese anime and Ukiyo-e prints. Child luminaries radiate mystical powers, while behind screens, kimonos beckon.
Continue reading “Provocative Lattice”
The exhibition A Beautiful Day with a Small Storm at the Christopher Cutts Gallery is a unique one. A month before its opening in June, the paintings by Madrid artist José Manuel Ciria were a mere glimmer in the artist’s eye. The works were in fact created in a studio directly above the exhibition space. In that sense, what is on display has descended from above, their generation a touch miraculous in the speed of their execution.
José Manuel Ciria in studio at Christopher Cutts Gallery, 2019
Ciria exudes the personable confidence of someone who is at ease in his own skin. This is a way of saying that Ciria inhabits his work, and that the life and breath of his canvases are closely woven into the artist’s own persona.
Continue reading “José Manuel Ciria’s Beautiful Day with a Small Storm”
New York City is constantly pushing the world of art to reboot itself. To see how a young Korean-American artist is contributing to this ceaseless reinvention in a promising way, go to 69 Eldridge Street in Lower Manhattan and there, in a popup display space exemplifying cultural entrepreneurship, you will encounter sixteen paintings that will give you a memorable viewing experience.
Nurtured by the School of the Art Institute of Chicago and then by Brooklyn’s Pratt Institute, Jung Ho Lee is an artist drawn to multiple genres – sculpture, painting, collage, and photography.
Continue reading “Jung Ho Lee: Entropy’s Painter”