Art objects are storytelling machines. That’s because we are hardwired to tell and listen to stories. All art, no matter how abstract, must respond to this fundamental human trait.
Continue reading “James Greco’s Tarp Paintings”
It’s no secret that water has its own unique attraction. Some of our best memories of youth often center around water, especially in moments when the summer’s oppressive heat is quelled by a dip in a cold lake, stream or pool where games and adventures, big and small, take place.
Continue reading “Water Works”
The Artwork that Led to the Publication of a Magazine
by Steve Rockwell
I had dropped out of the art scene already in 1972. When I came up with the idea for Pick a Number Between 1 and 99 in 1987, my contact with people I had known from art school and the early studio days had all but ceased. To quote Bob Dylan’s Like a Rolling Stone, professionally I was essentially “…a complete unknown.” Distanced from my past efforts, my future presented a blank slate. The situation was at once liberating, yet tinged by a sense of urgency.
The current offering at John Davis Gallery is the ideal combination of excellent art and a carefully prepared and perfectly installed exhibition. As a result, Ron Milewicz strikingly beautiful landscapes immediately capture and hold your attention as you enter the space. Opposite the entrance of the gallery hangs the most spiritual work in the show, Sun and Oak (2019).
Continue reading “Ron Milewicz: Circumstances”
Earlier in February photographer Leah Oates opened her Transitory Space # 9 exhibition at Black Cat Artspace, a small storefront gallery near Dundas and Roncesvalles in Toronto. Now a resident of the city, Leah Oates had founded and run Station Independent Projects, a Lower East Side gallery in New York City. Her recent work centers on Toronto’s Cedarvale Ravine and Don Valley, the ninth in the Transitory Space group of works.
Continue reading “Leah Oates: Photographic Monuments to the Ephemeral in Nature”