{"id":810,"date":"2019-07-15T15:36:23","date_gmt":"2019-07-15T15:36:23","guid":{"rendered":"https:\/\/www.dartmagazine.com\/?p=810"},"modified":"2020-02-24T21:31:08","modified_gmt":"2020-02-24T21:31:08","slug":"jung-ho-lee-entropys-painter","status":"publish","type":"post","link":"https:\/\/dartmagazine.com\/?p=810","title":{"rendered":"Jung Ho Lee: Entropy\u2019s Painter"},"content":{"rendered":"\n<p><strong>by Siba Kumar Das<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"686\" height=\"1024\" src=\"https:\/\/www.dartmagazine.com\/wp-content\/uploads\/2019\/07\/Jung_Selfportrait_2018-copy-1-686x1024.jpg\" alt=\"Jung Ho Lee, Self Portrait, 2018, acrylic on linen, 76&quot; x 51&quot;\" class=\"wp-image-812\" srcset=\"https:\/\/dartmagazine.com\/wp-content\/uploads\/2019\/07\/Jung_Selfportrait_2018-copy-1-686x1024.jpg 686w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2019\/07\/Jung_Selfportrait_2018-copy-1-201x300.jpg 201w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2019\/07\/Jung_Selfportrait_2018-copy-1-768x1146.jpg 768w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2019\/07\/Jung_Selfportrait_2018-copy-1.jpg 1200w\" sizes=\"auto, (max-width: 686px) 100vw, 686px\" \/><figcaption><em>Jung Ho Lee, Self Portrait, 2018, acrylic on linen, 76&#8243; x 51&#8243;<\/em><\/figcaption><\/figure>\n\n\n\n<p>New York City is constantly pushing the world of art to reboot itself. To see how a young Korean-American artist is contributing to this ceaseless reinvention in a promising way, go to 69 Eldridge Street in Lower Manhattan and there, in a popup display space exemplifying cultural entrepreneurship, you will encounter sixteen paintings that will give you a memorable viewing experience.&nbsp;<\/p>\n\n\n\n<p>Nurtured by the School of the Art Institute of Chicago and then by Brooklyn\u2019s Pratt Institute, Jung Ho Lee is an artist drawn to multiple genres \u2013 sculpture, painting, collage, and photography. \n<!--more-->\nWhile sculpture initially dominated his professional life, he is now exploring a freedom that painting has opened up for him. From a practice where he found himself driven towards a fixed destination he has transitioned to a style where he is more impelled by process and the signals thrown up by his materials. This liberation has given us the paintings on show, from June 12-23, 2019, at the Eldridge Street exhibit, curated by Robert Curcio.&nbsp;<\/p>\n\n\n\n<p>Jung Ho Lee has thought deeply about the course of Korean art and its crossover implications for American art. He is also trying hard to understand better the world he lives in. Doing so in a quotidian way, he applies to this challenge a sensibility enlivened by an omnivorous visual imagination. Going about his day-to-day life, he imports into his image bank scenes of decay, decline, and disorder. Allan Kaprow, a significant influence on Jung Ho Lee, saw in the everyday world \u201cthe most astonishing inspiration conceivable.\u201d He said, \u201cA walk down 14<sup>th<\/sup> Street is more amazing than any masterpiece of art.\u201d Look now to the paintings Jung Ho Lee has spotlighted for us not far from 14<sup>th<\/sup> Street. Metamorphosed in them is entropy\u2019s materiality sublimated into growth and renewal.&nbsp;<\/p>\n\n\n\n<p>In <em>Self-Portrait<\/em> (2018) you discern many influences transformed into a veiled, allusive picture of this first-generation Korean-American artist possibly looking for an aesthetic or philosophical breakthrough. You see street art, Art Brut, Art Informel, and the art of Jean Dubuffet. You see color throwing off symbolic associations, just as it did for Vincent van Gogh when he gazed at Delacroix\u2019s paintings. There are ideas derived from the Abstract Expressionists, especially Hans Hoffman and Willem de Kooning.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"1024\" src=\"https:\/\/www.dartmagazine.com\/wp-content\/uploads\/2019\/07\/Untitled-D-copy-580x1024.jpg\" alt=\"Jung Ho Lee, Untitled D, 2019, acrylic on mixed media, 94&quot; x 51&quot;\ufeff\" class=\"wp-image-813\" srcset=\"https:\/\/dartmagazine.com\/wp-content\/uploads\/2019\/07\/Untitled-D-copy-580x1024.jpg 580w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2019\/07\/Untitled-D-copy-170x300.jpg 170w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2019\/07\/Untitled-D-copy-768x1357.jpg 768w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2019\/07\/Untitled-D-copy.jpg 1200w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption><em>Jung Ho Lee, Untitled D, 2019, acrylic on mixed media, 94&#8243; x 51&#8243;<\/em><\/figcaption><\/figure>\n\n\n\n<p>A very recent innovation of Jung Ho Lee\u2019s is his use of plastic netting as a support in place of canvas and the application of a painted grid as a final layer. An example is <em>Untitled D <\/em>(2019), where you see a gray-black landscape lurking behind a blue-gray grid \u2013 the latter so shaped it seems to be an object extracted from the natural world, not a geometrical abstraction. You again think of Jean Dubuffet, especially his extraordinary landscapes. You see vestigial references to Asian landscape painting, a genre so universal and durable in its impact it is being reinvented in contemporary times. A similar remembrance was at work in the art of Nam Kwan, one of the first generation of twentieth-century Korean modernists. You see his influence in <em>Untitled D<\/em>.&nbsp;<\/p>\n\n\n\n<p>Jung Ho Lee\u2019s art represents an emerging episode in the encounter between Western and Eastern art. As for subject matter, his paintings express metaphorically the possibility of growth and renewal even as entropy remains insistent. At a time of political disorder and environmental decay, the Eldridge Street exhibit may be telling us that art can be an ecological force.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Siba Kumar Das New York City is constantly pushing the world of art to reboot itself. To see how a young Korean-American artist is contributing to this ceaseless reinvention in a promising way, go to 69 Eldridge Street in Lower Manhattan and there, in a popup display space exemplifying cultural entrepreneurship, you will encounter &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/dartmagazine.com\/?p=810\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Jung Ho Lee: Entropy\u2019s Painter&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,1,3],"tags":[],"class_list":["post-810","post","type-post","status-publish","format-standard","hentry","category-features","category-general","category-reviews"],"_links":{"self":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/810","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=810"}],"version-history":[{"count":3,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/810\/revisions"}],"predecessor-version":[{"id":1003,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/810\/revisions\/1003"}],"wp:attachment":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=810"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=810"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=810"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}