{"id":4710,"date":"2026-08-07T19:06:50","date_gmt":"2026-08-07T19:06:50","guid":{"rendered":"https:\/\/dartmagazine.com\/?p=4710"},"modified":"2026-08-07T21:23:09","modified_gmt":"2026-08-07T21:23:09","slug":"the-heart-of-juliet-jones-four-trees-on-brandt-street","status":"publish","type":"post","link":"https:\/\/dartmagazine.com\/?p=4710","title":{"rendered":"The Heart of Juliet Jones &amp; Four Trees on Brandt Street"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>by Steve Rockwell<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I threw away my work from the fall 1970 group exhibition at 567 Queen Street West in Toronto. After ten years or so in apartment storage, it was a quick toss into the bin outside. The nineteen cardboard and paper works, variously touched up with ink and pencil, had been glued onto hand-sawed wood frames. Bundled with twine into roughly a 2 x 3 x 4 foot  package made the procedure efficient.   <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Reading the newspaper while having a cup of coffee in the morning, had been the theme for the work \u2013 and then there were the trees on nearby Brandt Street. The trees didn&#8217;t immediately fit in with the theme, but perhaps they did. From the daily Toronto Star weather forecast to <em>The Heart of Juliet Jones<\/em> comic strip, a piece of CBC Radio promotional card featuring  graphic of a cup of coffee, to the four trees, all had been sublimated through graphite and ink to paper. All can be traced to experiences of a five-year-old in transition from Espoo, Finland to Gothenburg, Sweden. <\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"933\" height=\"289\" src=\"https:\/\/dartmagazine.com\/wp-content\/uploads\/2026\/08\/heart-of-juliet-joneseeek.jpg\" alt=\"A sample strip: The Heart of Juliet Jones by Stan Drake from 1967 for King Features Syndicate\" class=\"wp-image-4712\" srcset=\"https:\/\/dartmagazine.com\/wp-content\/uploads\/2026\/08\/heart-of-juliet-joneseeek.jpg 933w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2026\/08\/heart-of-juliet-joneseeek-300x93.jpg 300w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2026\/08\/heart-of-juliet-joneseeek-768x238.jpg 768w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption class=\"wp-element-caption\">A sample strip: The Heart of Juliet Jones by Stan Drake from 1967 for King Features Syndicate<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Expansive countryside flipped into restrictive, urban hotel confinement, generating a stream sensory material edging on trauma at times. Perhaps it&#8217;s another way of saying that things were particularly memorable then.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1125\" height=\"1742\" src=\"https:\/\/dartmagazine.com\/wp-content\/uploads\/2026\/08\/Tarzan-of-the-Apes-book-cover.jpg\" alt=\"My copy of Tarzan of the Apes by Edgar Rice Burroughs. Copyright 1912, Flamingo Edition 1972\" class=\"wp-image-4714\" srcset=\"https:\/\/dartmagazine.com\/wp-content\/uploads\/2026\/08\/Tarzan-of-the-Apes-book-cover.jpg 1125w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2026\/08\/Tarzan-of-the-Apes-book-cover-194x300.jpg 194w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2026\/08\/Tarzan-of-the-Apes-book-cover-661x1024.jpg 661w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2026\/08\/Tarzan-of-the-Apes-book-cover-768x1189.jpg 768w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2026\/08\/Tarzan-of-the-Apes-book-cover-992x1536.jpg 992w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption class=\"wp-element-caption\">My copy of <strong>Tarzan of the Apes<\/strong> by Edgar Rice Burroughs. Copyright 1912, Flamingo Edition 1972<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"1015\" src=\"https:\/\/dartmagazine.com\/wp-content\/uploads\/2026\/08\/Laocoon-Marco-Dentes-engraving-c.-1515.jpg\" alt=\"Laoco\u00f6n Group, Marco Dente's engraving, c. 1515, early visual record of the sculpture as it looked after the 1506 excavation, before later restorations\u2014most notably, Laoco\u00f6n is shown with the right arm missing\" class=\"wp-image-4720\" srcset=\"https:\/\/dartmagazine.com\/wp-content\/uploads\/2026\/08\/Laocoon-Marco-Dentes-engraving-c.-1515.jpg 755w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2026\/08\/Laocoon-Marco-Dentes-engraving-c.-1515-223x300.jpg 223w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption class=\"wp-element-caption\"><strong>Laoco\u00f6n Group<\/strong>, Marco Dente&#8217;s engraving, c. 1515, early visual record of the sculpture as it looked after the 1506 excavation, before later restorations\u2014most notably, Laoco\u00f6n is shown with the right arm missing<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The Laoco\u00f6n Group was famously unearthed in Rome on January 14, 1506, in the vineyard of Felice de Fredis, on the Esquiline Hill near the Baths of Titus. Pope Julius II sent Michelangelo and the architect Giuliano da Sangallo to inspect the find. Marco Dente&#8217;s engraving, c. 1515. It gives a remarkably early visual record of the sculpture as it looked after the 1506 excavation, before later restorations\u2014most notably, Laoco\u00f6n is shown with the right arm missing.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Steve Rockwell I threw away my work from the fall 1970 group exhibition at 567 Queen Street West in Toronto. After ten years or so in apartment storage, it was a quick toss into the bin outside. The nineteen cardboard and paper works, variously touched up with ink and pencil, had been glued onto &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/dartmagazine.com\/?p=4710\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Heart of Juliet Jones &amp; Four Trees on Brandt Street&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,1,17],"tags":[],"class_list":["post-4710","post","type-post","status-publish","format-standard","hentry","category-essays","category-general","category-projects"],"_links":{"self":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/4710","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4710"}],"version-history":[{"count":7,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/4710\/revisions"}],"predecessor-version":[{"id":4721,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/4710\/revisions\/4721"}],"wp:attachment":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4710"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4710"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4710"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}