{"id":3122,"date":"2023-11-22T16:30:29","date_gmt":"2023-11-22T16:30:29","guid":{"rendered":"https:\/\/www.dartmagazine.com\/?p=3122"},"modified":"2023-11-22T16:30:29","modified_gmt":"2023-11-22T16:30:29","slug":"jongsook-kang-dreaming-desire","status":"publish","type":"post","link":"https:\/\/dartmagazine.com\/?p=3122","title":{"rendered":"Jongsook Kang: Dreaming Desire"},"content":{"rendered":"\n<p><strong>by Dr. Thalia Vrachopoulos<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/www.dartmagazine.com\/wp-content\/uploads\/2023\/11\/20231121_152717-1024x768.jpg\" alt=\"Jongsook Kang, Emptiness and Dreaming, 2023, installation view\" class=\"wp-image-3123\" srcset=\"https:\/\/dartmagazine.com\/wp-content\/uploads\/2023\/11\/20231121_152717-1024x768.jpg 1024w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2023\/11\/20231121_152717-300x225.jpg 300w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2023\/11\/20231121_152717-768x576.jpg 768w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2023\/11\/20231121_152717-1536x1152.jpg 1536w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2023\/11\/20231121_152717.jpg 2000w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption>Jongsook Kang, <em>Emptiness and Dreaming<\/em>, 2023, installation view<\/figcaption><\/figure>\n\n\n\n<p>Jongsook Kang\u2019s two-part series E<em>mptiness and Dreaming Desire<\/em>, presented together at this solo exhibition, manifest the artist\u2019s innermost spiritual and mundane experience undoubtedly manifesting the secret nucleus of her ceramic sculpture in the last twenty years; namely New York\/Seoul cities and Eastern Philosophy. Deeply inspired by the mystical teachings of \u015a\u016bnyat\u0101 of Japanese Zen Buddhism, Kang imports a reflective quality that conveys silent introspection by interweaving a nexus of gold, silver, black and copper wires throughout her pieces that faintly recall the Japanese aesthetic of wabi-sabi but also the Korean philosophy of emptiness as fulness called bium. By so doing, she ritually metamorphosizes her objects into memory vestiges of human social networks or relationships in her beloved cities New York or Seoul. These ceramic edifices can be read in terms of the isolation felt during the Covid-19 pandemic, or in general as the loneliness of city life. Simultaneously, they can be seen as reconstructions associated with objects and mnemonic taboos \u2013 a transcended net of intertwined potentialities withdrawn from our a-priori forms of time and space \u2013 for the deceased victims of the Corona virus crisis.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/www.dartmagazine.com\/wp-content\/uploads\/2023\/11\/20231121_152935-1024x768.jpg\" alt=\"Jongsook Kang, Emptiness and Dreaming, 2023, installation view\" class=\"wp-image-3124\" srcset=\"https:\/\/dartmagazine.com\/wp-content\/uploads\/2023\/11\/20231121_152935-1024x768.jpg 1024w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2023\/11\/20231121_152935-300x225.jpg 300w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2023\/11\/20231121_152935-768x576.jpg 768w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2023\/11\/20231121_152935-1536x1152.jpg 1536w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2023\/11\/20231121_152935.jpg 1600w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption>Jongsook Kang, <em>Emptiness and Dreaming<\/em>, 2023, installation view<\/figcaption><\/figure>\n\n\n\n<p>Furthermore, Kang\u2019s delicate layers of clay, which vaguely recall Seoul\u2019s or New York\u2019s towering skylines casually observed from across the banks of Hudson or Han Rivers, deliberately function as metaphors and concrete incorporations of Confucian ontological principles. This philosophy is combined with Daoist aesthetics in Korea to formulate ideas of the yin and yang which represents the opposing yet similar principles of dark\/light, feminine\/masculine, action\/inaction, dark and light in cosmic harmony.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.dartmagazine.com\/wp-content\/uploads\/2023\/11\/20231121_152926-768x1024.jpg\" alt=\"Jongsook Kang, Emptiness and Dreaming, 2023, installation view\" class=\"wp-image-3125\" width=\"674\" height=\"898\" srcset=\"https:\/\/dartmagazine.com\/wp-content\/uploads\/2023\/11\/20231121_152926-768x1024.jpg 768w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2023\/11\/20231121_152926-225x300.jpg 225w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2023\/11\/20231121_152926-1152x1536.jpg 1152w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2023\/11\/20231121_152926.jpg 1200w\" sizes=\"auto, (max-width: 674px) 100vw, 674px\" \/><figcaption>Jongsook Kang, <em>Emptiness and Dreaming<\/em>, 2023, installation view<\/figcaption><\/figure>\n\n\n\n<p>Kang skillfully handles physical and architectural space through the precise use of artificial lighting as a metaphysical duality of substantial positivity or negativity (as in in yin-yang Taegeuk philosophy). Moreover, the artist consciously transfigures her skyscraper-like constructions of square plates into imaginative comments about the ever-growing solitude of everyday life, principally experienced in global metropoles like New York or Seoul. Through her sculptures Kang also comments upon the eternal continuation of incessant change in a hectic world of constant becoming. As she laconically wrote in her artist\u2019s statement: \u201cin other words, my sculptures embrace the possibility of countless changes, and infinite possibilities that lead to eternity. The realization of the true colors of yin and yang, in which the eternity of light is condensed, can be said to be my own Dream-Desire\u201d.<\/p>\n\n\n\n<p>Many German philosophers or psychologists of 19th and 20th century Sigmund Freud for example, firmly believed that desire is the inner drive that substantially formulates every human being, while always being dynamic and tenuously alternating between objects and needs. While concurrently eternal and torturously unceasing like a strong current, desire undeniably (re)defines the unique individuality of each and every life form on the planet. Kang\u2019s <em>Dreaming Desire<\/em> powerfully constitutes the polymorph matrix of opposing desires, in which frenetic life and spiritual emptiness or receptive yin and active yang harmoniously co-exist together despite their existential dissimilarities and internal struggles.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Dr. Thalia Vrachopoulos Jongsook Kang\u2019s two-part series Emptiness and Dreaming Desire, presented together at this solo exhibition, manifest the artist\u2019s innermost spiritual and mundane experience undoubtedly manifesting the secret nucleus of her ceramic sculpture in the last twenty years; namely New York\/Seoul cities and Eastern Philosophy. Deeply inspired by the mystical teachings of \u015a\u016bnyat\u0101 &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/dartmagazine.com\/?p=3122\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Jongsook Kang: Dreaming Desire&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3122","post","type-post","status-publish","format-standard","hentry","category-reviews"],"_links":{"self":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/3122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3122"}],"version-history":[{"count":1,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/3122\/revisions"}],"predecessor-version":[{"id":3126,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/3122\/revisions\/3126"}],"wp:attachment":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}