{"id":2459,"date":"2022-08-04T15:13:24","date_gmt":"2022-08-04T15:13:24","guid":{"rendered":"https:\/\/www.dartmagazine.com\/?p=2459"},"modified":"2022-08-25T16:35:55","modified_gmt":"2022-08-25T16:35:55","slug":"hyperphantasia-artego","status":"publish","type":"post","link":"https:\/\/dartmagazine.com\/?p=2459","title":{"rendered":"Hyperphantasia @ Artego"},"content":{"rendered":"\n<p><strong>by D. Dominick Lombardi<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"677\" src=\"https:\/\/www.dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.1-1024x677.jpeg\" alt=\"YoAhn Han, Merman\u2019s Dream (2022), acryla gouache, watercolor, yupo paper collage and resin on panel (all images courtesy of the artist)\" class=\"wp-image-2460\" srcset=\"https:\/\/dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.1-1024x677.jpeg 1024w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.1-300x198.jpeg 300w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.1-768x508.jpeg 768w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.1.jpeg 1200w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption>YoAhn Han, <em>Merman\u2019s Dream <\/em>(2022), acryla gouache, watercolor, yupo paper collage and resin on panel (all images courtesy of the artist)<\/figcaption><\/figure>\n\n\n\n<p>The exhibition title, <em>Hyperphantasia<\/em>, refers to the capability of experiencing vivid mental pictures. Opening on September 1st at Artego gallery in Queens, NY, artists YoAhn Han and D. Dominick Lombardi will present works that feature some of those visual flashes that often occur during the creative process, where subconscious elements can end up on a painting, drawing or sculpture. YoAhn Han has many sources of imagery, most notably his fluctuating health issues, homosexuality compared with his strict Catholic upbringing, and the fact that he has roots in two very different cultures: South Korea and the US. For most of D. Dominick Lombardi&#8217;s career, he has relied on the collective unconscious for guidance and inspiration, resulting in loosely wound drawings, various responses to materials and colors, and visual alternatives received when working. Together, they bring a broad spectrum of what can result with such conditioning, from the powerful and poetic paintings of Han, to the darkly comedic socio-political observations of Lombardi.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"954\" src=\"https:\/\/www.dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.2-1024x954.jpg\" alt=\"D. Dominick Lombardi, CCWSI 126 (2022), alkyd and oil on linen previously painted in 1981 and 2007, 25&quot; x 26&quot;\" class=\"wp-image-2461\" srcset=\"https:\/\/dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.2-1024x954.jpg 1024w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.2-300x280.jpg 300w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.2-768x716.jpg 768w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.2.jpg 1200w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption>D. Dominick Lombardi, <em>CCWSI 126<\/em> (2022), alkyd and oil on linen previously painted in 1981 and 2007, 25&#8243; x 26&#8243;<\/figcaption><\/figure>\n\n\n\n<p>With Han and Lombardi, the swings in the content of their narratives are multi-layered and visually complex, wound around a strong pull from the past. Han refers to his paintings, which are composed of a variety of painting media, cut paper and resin as an \u201cintersection of the imagery of my homeland Korea, together with Boston, in my own aesthetical conversion.\u201d Han grew up in Chuncheon, South Korea, and maintains a strong bond with that culture. This results in a tendency to fold into his art, representations of the landscape and architecture, mixed with sexual references such as flowers, phallic symbols and the female praying mantis that consumes its male partner after mating \u2013 haunting elements that give his art its otherworldly, dreamy feel. In addition, his medical condition, which often causes temporary paralysis, has prompted Han\u2019s obsession with the limitations of being. As a result of all these prompts, Han is clearly reaching for truth, enlightenment and a place where all of the aspects of his life can coalesce in a beautiful and brilliant dreamscape.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.3-1024x651.jpg\" alt=\"D. Dominick Lombardi, CCWS 99 (2020), acrylic, ink and charcoal on paper on canvas, 24&quot; x 38&quot;\" class=\"wp-image-2462\" width=\"674\" height=\"428\" srcset=\"https:\/\/dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.3-1024x651.jpg 1024w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.3-300x191.jpg 300w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.3-768x488.jpg 768w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.3.jpg 1200w\" sizes=\"auto, (max-width: 674px) 100vw, 674px\" \/><figcaption>D. Dominick Lombardi, <em>CCWS 99 <\/em>(2020), acrylic, ink and charcoal on paper on canvas, 24&#8243; x 38&#8243;<\/figcaption><\/figure>\n\n\n\n<p>Lombardi utilizes past prompts too, but in a more physical sense, as he often repurposes old paintings and drawings to create his multi-layered narratives. His process includes past life drawings done as classroom demonstrations, subconscious thoughts that inspire the lines of his \u2018stickers\u2019, old studies for paintings and sculptures, and previously painted canvases to help him to resolve or reimagine his past. Working often with flashes of shape suggestions, colors and compositional changes, Lombardi is also driven by the fleetness of life. However, what triggers most of Lombardi\u2019s art is reliving past thoughts and experiences through repurposing, the utilization of input from the collective unconscious, and the sway of creative editing. Repurposing also occurs in his sculptures, as all of the objects in his work are found. However, subject to gravity, the structure and result of each sculpture is a bit more preplanned.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"612\" src=\"https:\/\/www.dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.4-1024x612.jpg\" alt=\"Yoahn Han, Taboo (2021), mica, Acryla gouache, watercolor, paper pulp, yupo paper and resin on panel, 36\u201d x 60\u201d\" class=\"wp-image-2463\" srcset=\"https:\/\/dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.4-1024x612.jpg 1024w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.4-300x179.jpg 300w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.4-768x459.jpg 768w, https:\/\/dartmagazine.com\/wp-content\/uploads\/2022\/08\/image-.4.jpg 1200w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption>Yoahn Han, <em>Taboo<\/em> (2021), mica, Acryla gouache, watercolor, paper pulp, yupo paper and resin on panel, 36\u201d x 60\u201d<\/figcaption><\/figure>\n\n\n\n<p>The exhibition dates for <em>Hyperphantasia<\/em> are September 1 \u2013 September 30, with an artist reception on Saturday, September, 10. Artego is located at 32-88 48Th Street, Queens, NY 11103.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>by D. Dominick Lombardi The exhibition title, Hyperphantasia, refers to the capability of experiencing vivid mental pictures. Opening on September 1st at Artego gallery in Queens, NY, artists YoAhn Han and D. Dominick Lombardi will present works that feature some of those visual flashes that often occur during the creative process, where subconscious elements can &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/dartmagazine.com\/?p=2459\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Hyperphantasia @ Artego&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,3],"tags":[],"class_list":["post-2459","post","type-post","status-publish","format-standard","hentry","category-essays","category-reviews"],"_links":{"self":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/2459","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2459"}],"version-history":[{"count":4,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/2459\/revisions"}],"predecessor-version":[{"id":2574,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/2459\/revisions\/2574"}],"wp:attachment":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2459"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2459"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}