{"id":2108,"date":"2022-02-12T18:07:41","date_gmt":"2022-02-12T18:07:41","guid":{"rendered":"https:\/\/www.dartmagazine.com\/?p=2108"},"modified":"2022-03-14T23:44:19","modified_gmt":"2022-03-14T23:44:19","slug":"forest-bathing-a-group-exhibition-about-nature","status":"publish","type":"post","link":"https:\/\/dartmagazine.com\/?p=2108","title":{"rendered":"Forest Bathing – A Group Exhibition about Nature"},"content":{"rendered":"\n

by Jen Dragon<\/strong><\/p>\n\n\n\n

\"Forest
Forest Bathing installation view John Lyon Paul (left) Anne Leith (right) <\/figcaption><\/figure>\n\n\n\n

Woodstock, NY – Forest Bathing<\/em> is a concept that originated in Japan in the 1980\u2019s as an antidote to an increasingly technological and alienating world. The idea is to mindfully walk in the woodlands and reconnect with the sounds, smells, colors and textures of nature. The recent Covid pandemic and its restrictions on indoor gatherings have forced a return to the outdoors creating a renewed appreciation for the forest habitat and its seasonal cycles. Inspired by the woodlands of upstate New York, this exhibition features artwork by Ashley Garrett, Anne Leith, Iain Machell, John Lyon Paul, Christy Rupp and Martin Weinstein.\u00a0 <\/p>\n\n\n\n\n\n\n\n

As Forest Bathing is prescribed by Japanese physicians as a medical cure to calm stressed nerves and mitigate pain, this exhibition seeks to heal the soul by dissolving the gallery walls that separate outside from inside thus reuniting the self with nature.\u00a0 All six artists independently use the experience of the woodlands as a touchstone for very different and contemporary styles of painting and sculpture. Forest Bathing <\/em>runs through Sunday February 27th, 2022 at the Kleinert\/James Art Center, Woodstock Byrdcliffe Guild, 34 Tinker Street, Woodstock, NY. More info: https:\/\/bit.ly\/wbgforestbathinginfo<\/a><\/p>\n\n\n\n

Ashley Garrett<\/strong> works from the memories of landscape in her mind. Her brushwork sparkles with captured filtered light of the forest with percussive sky blue patches and calm stone grey shadows. In Garrett\u2019s work, we have the illusion of floating in a cacophony of mysterious spaces and colorful burrows where we can feel the joy and the struggle of creation. There is chaos and improvisation. But like nature, there is a hidden geometrical organization and a perpetual balance between what is and is not. <\/p>\n\n\n\n

Anne Leith<\/strong>\u2019s plein-air paintings are an exuberant expression of a will to create a greater, organized whole from the chaos of nature. Leith\u2019s mark-making velocity and vibrant colors (often accentuated with silver or gold leaf) race to capture the startling flashes of brilliant light found in the forest. Anne Leith seeks to bend space and time with a vigorous response to the intimacy of the solitary self and its attentive relationship to the vastness of the Catskills. <\/p>\n\n\n\n

Iain Machell <\/strong>\u2019s work explores the tactile presence and possibilities of paper as well as allowing fluid, organic influences in his mark making media. Materials are bent, stressed and meticulously detailed to create a delicate cartography of space and being. There is a non-objective element to everything Machell makes but there is also a subtle bridge between the object itself and it\u2019s position of a fractal microcosm of a greater world.<\/p>\n\n\n\n

\"Forest
Forest Bathing Installation with John Lyon Paul sculpture<\/figcaption><\/figure>\n\n\n\n

John Lyon Paul <\/strong>\u2019s reverse paintings on clear acrylic plexiglas evoke ecclesiastical ornament with its glowing, fractured light. These luminous, colorful forms manifest the intangible rendering clearly previously unseen realms. Paul\u2019s vibrating pigments change with the ambient light manifesting a multitude of shadows and infinite gem-like combinations. An early sculpture by the artist of a fawn made from gun stocks and axe handles serves as a center point and mascot for the exhibition.<\/p>\n\n\n\n

\"Fungible
Fungible \u00a9 Christy Rupp, cut paper collage, 2021<\/figcaption><\/figure>\n\n\n\n

Christy Rupp <\/strong> analyzes the dynamic connection between creatures, their distinctive purposes and the ominous threats to their habitats. In her wall sculptures of rainforest animals, Rupp etches welded and crafted animal forms with the molecular formulas that these frogs, ants and snakes contribute as healing pharmaceuticals for humans. In her Snap Shot <\/em>collages, Rupp dynamically blends the intrusions on woodland creatures and their ecosystems creating a new environment that weaves both unnatural and natural worlds. <\/p>\n\n\n\n

\"Sassafrass,
Sassafrass, Morning Under Afternoon \u00a9 Martin Weinstein, 2021<\/figcaption><\/figure>\n\n\n\n

Martin Weinstein’<\/strong>s paintings reference both the earth and the surrounding cosmos in perfect harmony. This balanced meeting of the inner and outer worlds are due to Weinstein\u2019s technique of painting on 3-5 interlocking sheets of clear acrylic panels over a period of months to years. The clarity of these layered paintings only becomes apparent with the joinery of each incomplete translucent layer that records only a part of the visual story. Seen together as overlapping panels, the optical illusion of reality is perfect; yet slid away from one another, each panel holds only a titillating fragment of the whole. <\/p>\n","protected":false},"excerpt":{"rendered":"

by Jen Dragon Woodstock, NY – Forest Bathing is a concept that originated in Japan in the 1980\u2019s as an antidote to an increasingly technological and alienating world. The idea is to mindfully walk in the woodlands and reconnect with the sounds, smells, colors and textures of nature. The recent Covid pandemic and its restrictions … <\/p>\n

Continue reading “Forest Bathing – A Group Exhibition about Nature”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2108","post","type-post","status-publish","format-standard","hentry","category-reviews"],"_links":{"self":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/2108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2108"}],"version-history":[{"count":3,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/2108\/revisions"}],"predecessor-version":[{"id":2194,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/2108\/revisions\/2194"}],"wp:attachment":[{"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dartmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}