by John Mendelsohn
Continue reading “Melanie Vote’s The Washhouse: Nothing Ever Happened Here”Frank Holliday’s SEE/SAW at Mucciaccia Gallery in NYC
by Christopher Hart Chambers
Continue reading “Frank Holliday’s SEE/SAW at Mucciaccia Gallery in NYC”Gelah Penn: Uneasy Terms at Undercurrent
by John Mendelsohn
Continue reading “Gelah Penn: Uneasy Terms at Undercurrent”Apollonia Vanova’s Sleepover Gallery in Toronto
by Emese Krunák-Hajagos
EKH: Darren Gallery is reopening after, as you’ve said, a long and painful renovation with a new concept: Sleepover Art Gallery. Where did this idea come from?
AV: The sleepover gallery concept came about from a variety of factors. It’s difficult to sell art, as it’s not a life necessity and not a surprise when galleries close down after a few years. Continue reading “Apollonia Vanova’s Sleepover Gallery in Toronto”
Points of Engagement
by D. Dominick Lombardi
The success of an exhibition, or any work of art for that matter, is its ability to engage the viewer. Engagement can be a bit more difficult to achieve when you eliminate any sort of representation, as with the current exhibition at the Hofstra Museum of Art, Uncharted: American Abstraction in the Information Age. Continue reading “Points of Engagement”