Jacqueline de Jong and Violence at the Border-Line

by Carol Bruns

Jacqueline, de Long, Locked in and Out, 2021, oil stick on paper, 55 1/8 x 79 7/8 inches (140 x 203 cm)
Photo: Tim Doyon. Courtesy of the artist and Ortuzar Projects, New York
Jacqueline, de Long, Locked in and Out, 2021, oil stick on paper, 55 1/8 x 79 7/8 inches (140 x 203 cm) Photo: Tim Doyon. Courtesy of the artist and Ortuzar Projects, New York

Our culture is permeated with violence. By media or in person we regularly experience violent economics, massacres of children in schools with automatic weapons, relentless assaults on the natural environment, widespread domestic violence, and even violent car driving, movies, games and songs. In an Itchy and Scratchy cartoon the character Tarantino remarks, “It’s even in breakfast cereals” and we guiltily laugh along with children at their absurd and extreme ferocious capers. It seems we’re wired onto its electric horror and excitement, while its production of suffering in real life is staggering and immeasurable, leaving no one unharmed, usually the direct result of policy choices.

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Encountering Exaltation: The Recent Paintings of Margaret Evangeline

by Dominique Nahas

Margaret Evangeline, A Certain Dianthus, 2021, oil on canvas, 48" x 48"
Margaret Evangeline, A Certain Dianthus, 2021, oil on canvas, 48″ x 48″

It’s the sense of exaltation, the sense of revealment (or un-concealment, as Heidegger would put it) in Margaret Evangeline’s work that always triggers a lot of emotions in me. This calling-forth tone indicates. It doesn’t state or designate. Evangeline’s art rests halfway, poised between a point of revealment leavened with a sense of the untold, the unresolvedness of it all. This tone has an undeniable presence to it that is in itself a manifestation that allows a polyphony of feeling tones to emerge from the work.

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A Photographer In Her Garden: Featuring Sandi Daniel

by D. Dominick Lombardi

Installation View
Installation View

The pandemic has had an incalculable effect on so many lives that it’s hard to think life will ever be normal again. Culturally, creatives have had the trajectory of their careers, their way of thinking and processing drastically altered in ways that we may never be able to fully process or understand until years from now, when we can look back and analyze the related output. One such artist, Sandi Daniel, whose usual approach to her craft has been completely altered by a lack of movement or travel, leading her to investigate the only option left to explore – her own immediate natural environment – to look for that elusive magic that so often accompanies the act of far-flung exploration.

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Bobbie Moline-Kramer: The Power of One

by Jen Dragon

Bobbie Moline-Kramer’s solo exhibition The Power of One at Lichtundfire Gallery is an installation that spans both time and space using the study of constellations as a touchstone. The artist begins with the unique position of stars relating to various leaders during specific historic moments over a geographical point on earth. These “heroes” are individual subjects selected because of their courage to make a difference in the world. A chart of the heavens upon the birth of Greta Thumberg is the subject of one painting, as well as the moment of death of Ruth Bader Ginsberg is depicted by another.

Justice, Ruth Bader Ginsburg, Washington D.C. 2020, 2021, oil, acrylic, gold on wood, 24 x 24 inches
Justice, Ruth Bader Ginsburg, Washington D.C. 2020, 2021, oil, acrylic, gold on wood, 24 x 24 inches

Dolly Parton’s contribution to the development of a Covid vaccine earned her inclusion and the moment of President John F. Kennedy’s assassination is the subject of a more somber, clouded painting. 

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