Fall 2024 edition of the making of art, its exhibition, and what we say about it
by Emese Krunák-Hajagos
Solitude surrounds the guest when entering Emmanuel Monzon’s exhibition at Robert Kananaj Gallery in Toronto. All the photographs seem similar at first glance in their quiet compositions and monochrome colours. Taking a closer look, one recognizes their nuances – and becomes mesmerised by their magical beauty. They radiate an ephemeral, almost surreal tension that captivates the viewer.
Continue reading “Emmanuel Monzon: Urban Sprawl Emptiness”by Emese Krunák-Hajagos
Humans have always wanted to save their memories. From the beginning of history, they carved them into stones, wrote them on parchments, made millions of photographs or selfies. Iris Häussler buried the items that hold her memories in wax – literally. You might think: a nice try, but it won’t hold, it’ll melt – but you’re wrong. Continue reading “Lost Gazes: Iris Häussler’s Wax Works From the 1990s”
by Gae Savannah
Recent Work at Elga Wimmer PCC in New York City
by Siba Kumar Das
Art objects are storytelling machines. That’s because we are hardwired to tell and listen to stories. All art, no matter how abstract, must respond to this fundamental human trait. Continue reading “James Greco’s Tarp Paintings”
by D. Dominick Lombardi
It’s no secret that water has its own unique attraction. Some of our best memories of youth often center around water, especially in moments when the summer’s oppressive heat is quelled by a dip in a cold lake, stream or pool where games and adventures, big and small, take place. Continue reading “Water Works”