On the occasion of the 10th anniversary of Toronto’s Robert Kananaj Gallery Emese Krunák-Hajagos (EKH) interviews Robert Kananaj (RK) and Roberta Laking Kananaj (RLK).
Thirteen years after her passing, a survey of her work in Buffalo, New York, is shedding new light on the formative years Elizabeth Murray (1940-2007) spent teaching at the University of Buffalo, from 1965 to’67. It also offers a timely opportunity to reassess her legacy in the light of the ongoing discussion on the state of painting.
The first 44 of the 175 edition print edition of dArt magazine began its release to private collectors this July 2021. Its custom-designed frame allows reading access by flipping the hinged polycarbonate “glass” cover from the bottom.
July 17 – August 15, 2021, Joyce Goldstein Gallery, Chatham, New York
by Dominique Nahas
Space & Being highlights the current work of painters Francie Lyshak and Francine Tint at the Joyce Goldstein Gallery in Chatham NY. This exhibition, skillfully curated by independent curator Jen Dragon, is a striking example of how effectively a curator can conjoin two utterly dissimilar temperaments, creating a lively visual dynamic of differing yet far-ranging emotive resonances. This overall dynamic at the Goldstein Gallery pushes out energy of la durée, or duration, the term Henri Bergson used to indicate temporality as lived-time. For the viewer this very duration is that of pleasure of being alive, of the very experiential joy of being in-the-moment-to-moment while experiencing complexity and contradiction. The paintings in the exhibition draw you in, as ambient visual aromas and auras circulate in the gallery space with spacious eloquence. Here, two artists parse la durée through two different intonations.
Making Print Editions of dArt Magazine into the Subject of a Single Work of Art
by Steve Rockwell
I don’t have an exact date for the genesis of the playing card theme that is featured in this 2021 edition of dArt magazine. It’s possible that the subject as an expressive idea has been simmering in the magma of my unconscious from the very start of my art making. With the crust of culture now universally in its brittle phase, the card idea seems to have bubbled up through the fissures.